Michelangelo Buonarrotib Caprese 1475 d Rome 1564 | |||
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The Erythraean Sibyl Gemälde ID:: 62917 Siehe Galerie in Schweden |
The Erythraean Sibyl 1509 Fresco Cappella Sistina, Vatican Artist: MICHELANGELO Buonarroti Title: The Erythraean Sibyl (detail) Date: 1501-1550 Italian , painting : religious 1509_Fresco_Cappella_Sistina,_Vatican_Artist:_MICHELANGELO_Buonarroti_Title:_The_Erythraean_Sibyl_(detail)_Date:_1501-1550_____Italian__,_painting_:_religious |
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Ignudo Gemälde ID:: 62918 Siehe Galerie in Schweden |
Ignudo Vatican The picture shows the Ignudo at the lower left corner of the Sacrifice of Noah (above the Erythraean Sibyl). The ignudi in the third bay are painted with greater fluency and the modeling is more delicate - with greater attention being paid to the reflections and the subtle effects of light and shade - than those of the first bay. Moreover, their poses are no longer wholly symmetrical. In fact, in the two figures on the left, only the lower part of the body is symmetrical, while the twisting of the bust and the head are expressions of contrapposto. The right arms of both are, however, extended toward the centre in order to hold the ribbon supporting the medallion. On the other hand, the ignudi on the right lean out toward the exterior, and the only difference between them appears to be the position of their arms. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious Vatican_The_picture_shows_the_Ignudo_at_the_lower_left_corner_of_the_Sacrifice_of_Noah_(above_the_Erythraean_Sibyl)._The_ignudi_in_the_third_bay_are_painted_with_greater_fluency_and_the_modeling_is_more_delicate_-_with_greater_attention_being_paid_to_the_reflections_and_the_subtle_effects_of_light_and_shade_-_than_those_of_the_first_bay._Moreover,_their_poses_are_no_longer_wholly_symmetrical._In_fact,_in_the_two_figures_on_the_left,_only_the_lower_part_of_the_body_is_symmetrical,_while_the_twisting_of_the_bust_and_the_head_are_expressions_of_contrapposto._The_right_arms_of_both_are,_however,_extended_toward_the_centre_in_order_to_hold_the_ribbon_supporting_the_medallion._On_the_other_hand,_the_ignudi_on_the_right_lean_out_toward_the_exterior,_and_the_only_difference_between_them_appears_to_be_the_position_of_their_arms._Artist:_MICHELANGELO_Buonarroti_Title:_Ignudo_Date:_1501-1550_____Italian__,_painting_:_religious |
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Ignudo Gemälde ID:: 62919 Siehe Galerie in Schweden |
Ignudo Fresco Cappella Sistina, Vatican The picture shows the Ignudo at the upper right corner of the Sacrifice of Noah (above the prophet Isaiah). The ignudi in the third bay are painted with greater fluency and the modeling is more delicate - with greater attention being paid to the reflections and the subtle effects of light and shade - than those of the first bay. Moreover, their poses are no longer wholly symmetrical. In fact, in the two figures on the left, only the lower part of the body is symmetrical, while the twisting of the bust and the head are expressions of contrapposto. The right arms of both are, however, extended toward the centre in order to hold the ribbon supporting the medallion. On the other hand, the ignudi on the right lean out toward the exterior, and the only difference between them appears to be the position of their arms. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious Fresco_Cappella_Sistina,_Vatican_The_picture_shows_the_Ignudo_at_the_upper_right_corner_of_the_Sacrifice_of_Noah_(above_the_prophet_Isaiah)._The_ignudi_in_the_third_bay_are_painted_with_greater_fluency_and_the_modeling_is_more_delicate_-_with_greater_attention_being_paid_to_the_reflections_and_the_subtle_effects_of_light_and_shade_-_than_those_of_the_first_bay._Moreover,_their_poses_are_no_longer_wholly_symmetrical._In_fact,_in_the_two_figures_on_the_left,_only_the_lower_part_of_the_body_is_symmetrical,_while_the_twisting_of_the_bust_and_the_head_are_expressions_of_contrapposto._The_right_arms_of_both_are,_however,_extended_toward_the_centre_in_order_to_hold_the_ribbon_supporting_the_medallion._On_the_other_hand,_the_ignudi_on_the_right_lean_out_toward_the_exterior,_and_the_only_difference_between_them_appears_to_be_the_position_of_their_arms._Artist:_MICHELANGELO_Buonarroti_Title:_Ignudo_Date:_1501-1550_____Italian__,_painting_:_religious |
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Ignudo Gemälde ID:: 62920 Siehe Galerie in Schweden |
Ignudo 1509-10 Fresco Cappella Sistina, Vatican The picture shows the Ignudo at the lower left corner of the Creation of Eve (above the prophet Ezekiel). In the four ignudi of the fifth bay who hold the yellow ribbons interwoven with the bronze-coloured medallions, the use of contrapposta with a variety of gestures and poses has now been replaced the symmetrical arrangement of figures. The relationship between the figures, placed opposite each other in pairs, is based on increasingly free and complex rhythmical correspondences, with rotating movements and pronounced bendings of the limbs. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious 1509-10_Fresco_Cappella_Sistina,_Vatican_The_picture_shows_the_Ignudo_at_the_lower_left_corner_of_the_Creation_of_Eve_(above_the_prophet_Ezekiel)._In_the_four_ignudi_of_the_fifth_bay_who_hold_the_yellow_ribbons_interwoven_with_the_bronze-coloured_medallions,_the_use_of_contrapposta_with_a_variety_of_gestures_and_poses_has_now_been_replaced_the_symmetrical_arrangement_of_figures._The_relationship_between_the_figures,_placed_opposite_each_other_in_pairs,_is_based_on_increasingly_free_and_complex_rhythmical_correspondences,_with_rotating_movements_and_pronounced_bendings_of_the_limbs._Artist:_MICHELANGELO_Buonarroti_Title:_Ignudo_Date:_1501-1550_____Italian__,_painting_:_religious |
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Ignudo Gemälde ID:: 62921 Siehe Galerie in Schweden |
Ignudo 1509-10 Fresco Cappella Sistina, Vatican The picture shows the Ignudo at the lower right corner of the Creation of Eve (above the Cumaean Sibyl). In the four ignudi of the fifth bay who hold the yellow ribbons interwoven with the bronze-coloured medallions, the use of contrapposta with a variety of gestures and poses has now been replaced the symmetrical arrangement of figures. The relationship between the figures, placed opposite each other in pairs, is based on increasingly free and complex rhythmical correspondences, with rotating movements and pronounced bendings of the limbs. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious 1509-10_Fresco_Cappella_Sistina,_Vatican_The_picture_shows_the_Ignudo_at_the_lower_right_corner_of_the_Creation_of_Eve_(above_the_Cumaean_Sibyl)._In_the_four_ignudi_of_the_fifth_bay_who_hold_the_yellow_ribbons_interwoven_with_the_bronze-coloured_medallions,_the_use_of_contrapposta_with_a_variety_of_gestures_and_poses_has_now_been_replaced_the_symmetrical_arrangement_of_figures._The_relationship_between_the_figures,_placed_opposite_each_other_in_pairs,_is_based_on_increasingly_free_and_complex_rhythmical_correspondences,_with_rotating_movements_and_pronounced_bendings_of_the_limbs._Artist:_MICHELANGELO_Buonarroti_Title:_Ignudo_Date:_1501-1550_____Italian__,_painting_:_religious |
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| Vorheriger Künstler Nächster Künstler | ||||||||||
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| Michelangelo Buonarroti | ||||||||||
| b Caprese 1475 d Rome 1564 | ||||||||||
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